Villa Marittima challenges the “norms” as great works must. This villa is about poetry, discipline and commitment. It’s also almost impossible to describe, as it is alluring, reflective, abstract and particular. It is at one moment a garage, a shed, a reflection pool, a mesmerizing abstract painting, a framed “James Turrell-like” light-scape, a clever articulate interpretation of the Building Code of Australia and, quite simply, “a joy to live in.”
Villa Marittima has the traditional elements of house, those of structure, ground plane and walls, collated in a most surprising way. Rooms could be multipurpose; they are defined more by their relationship to other spaces and their “hidden” elements than by furniture and objects. The ground plane is made up of angled slabs linking to horizontal slabs, both equally used for living on. To live on an angled plane is a challenge met with direct acceptance. The walls are the planar envelopes of the boxes for living – they are all made of translucent polycarbonate cladding, which reflects abstract colour, light and shadow, and does not define detail. Nothing hangs upon these walls. If glass, they become abstract art, cloud-scapes as they reflect the day. The polycarbonate walls brilliantly contain all uses – hidden bathrooms, library, office desk and kitchen – these are the “servants” of the house, only pulled out, revealed and used when needed. They are meticulously detailed items that have minimal tolerances and extensive requirements.